Difference between revisions of "Gerrit de Jong Jr.: Mormon Scholar"

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He served as a member of the general board of the Deseret [[Sunday School]] Union, the general board of Religion Classes, and the general Church Music Committee.
 
He served as a member of the general board of the Deseret [[Sunday School]] Union, the general board of Religion Classes, and the general Church Music Committee.
  
de Jong was an accomplished musician. He played piano for Salt Lake City silent movies. He studied organ under [[Tracy Y. Cannon]], Mormon Tabernacle organist. He also sang in the [[Mormon Tabernacle Choir]], directed a 42-piece orchestra, and led a men’s chorus. de Jong researcher and writer Charlene Winters related this story of him:  
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de Jong was an accomplished musician. He played piano for Salt Lake City silent movies. He studied organ under [[Tracy Y. Cannon]], Mormon Tabernacle organist. He also sang in the [[Mormon Tabernacle Choir]], directed a 42-piece orchestra, and led a men’s chorus. He is the author of the Latter-day Saint hymn "Come, Sing to the Lord" (#10) included in the 1985 [[Hymns of The Church of Jesus Christ of Latter-day Saints (1985 book)|Hymns of The Church of Jesus Christ of Latter-day Saints]]. de Jong researcher and writer Charlene Winters related this story of him:  
  
 
: As a teenager living in Salt Lake City, he was asked to play the organ for a special priesthood meeting. When he asked for a key to the church so he could practice, the bishop dismissed the idea, insisting that with his talent he didn’t need to practice. Undeterred, de Jong went to the church and, upon finding the doors and windows locked, went down an opening in the coal chute. After brushing himself off, he took his music and practiced until he felt he had mastered the composition. After the performance, several people praised de Jong, including the bishop, who told the young musician he knew he had not needed to practice.[http://history.cfac.byu.edu/index.php/Gerrit_de_Jong,_Jr.]
 
: As a teenager living in Salt Lake City, he was asked to play the organ for a special priesthood meeting. When he asked for a key to the church so he could practice, the bishop dismissed the idea, insisting that with his talent he didn’t need to practice. Undeterred, de Jong went to the church and, upon finding the doors and windows locked, went down an opening in the coal chute. After brushing himself off, he took his music and practiced until he felt he had mastered the composition. After the performance, several people praised de Jong, including the bishop, who told the young musician he knew he had not needed to practice.[http://history.cfac.byu.edu/index.php/Gerrit_de_Jong,_Jr.]

Latest revision as of 19:13, 27 June 2020

Gerrit de Jong Jr. Mormon Scholar

Gerrit de Jong Jr. was an educator, administrator, musician, artist, and linguist. He was the first dean of the College of Fine Arts at Brigham Young University, which he is also credited for founding. He also spent much of his career teaching foreign languages and taught piano, organ, phonetics, aesthetics, and religion. The de Jong Concert Hall at BYU is named in his honor. He composed music in all forms; some of his compositions were performed by the Paganini String Quartet throughout the 1940s. He was the composer and lyricist of “Come Sing to the Lord,” which is included in the 1985 Hymnbook.

de Jong was born on March 28, 1892, in Amsterdam, Holland. He studied drawing as a youth and his work was exhibited in Vienna and other European cultural centers. His grandfather took him to Rijksmuseum to study the great masters.

At age fourteen, he immigrated to Salt Lake City with his parents and sister to live with an aunt who had immigrated a few years earlier. He and his family converted to The Church of Jesus Christ of Latter-day Saints. He earned a bachelor’s degree in Spanish and a master’s degree in French from the University of Utah and a PhD in German with a minor in romantic languages from Stanford University. He later researched in the Bavarian University in Munich. He was fluent in English and Portuguese and also learned Chinese. In 1947, the US State Department asked him to direct its cultural center in Santos, Brazil, where he served for the academic year 1947–1948. To many, he was known as Mr. Portuguese for his accomplishments and contributions with the language and literature. He lectured and wrote in six languages for the LDS Church and international governments.

He served as a member of the general board of the Deseret Sunday School Union, the general board of Religion Classes, and the general Church Music Committee.

de Jong was an accomplished musician. He played piano for Salt Lake City silent movies. He studied organ under Tracy Y. Cannon, Mormon Tabernacle organist. He also sang in the Mormon Tabernacle Choir, directed a 42-piece orchestra, and led a men’s chorus. He is the author of the Latter-day Saint hymn "Come, Sing to the Lord" (#10) included in the 1985 Hymns of The Church of Jesus Christ of Latter-day Saints. de Jong researcher and writer Charlene Winters related this story of him:

As a teenager living in Salt Lake City, he was asked to play the organ for a special priesthood meeting. When he asked for a key to the church so he could practice, the bishop dismissed the idea, insisting that with his talent he didn’t need to practice. Undeterred, de Jong went to the church and, upon finding the doors and windows locked, went down an opening in the coal chute. After brushing himself off, he took his music and practiced until he felt he had mastered the composition. After the performance, several people praised de Jong, including the bishop, who told the young musician he knew he had not needed to practice.[1]

Prior to his career at BYU, de Jong taught school in Salt Lake City and Beaver, Utah.

He and his first wife, Rosabelle Winegar, were the parents of four children: William Gerrit who died at thirteen months, Belle, Nola, and Carma. Rosabelle died in 1940 and he married Thelma Bonham in 1951. He died on September 26, 1978, in Provo, Utah. In 2015, he was honored as one of the founders of the college at the 50th anniversary of the Harris Fine Arts Center.